Once more Zeus got out the balance, and Hector's fate proved heavier. A fragment of an Apulian red-figure volute krater shows a scene from a Gigantomachy, with Athena fighting the giant Enkelados. Free PDF at Getty Publications Virtual Library. Achilles again attacks from the left, and this time the heroes are backed by their patron deities: Athena signals encouragement to Achilles, while Apollo turns away, abandoning Hector to his fate. Paul Getty Museum, Malibu, California and Thames and Hudson, New York / London, 1985. More crucial to the defeat of the Trojans was the death of the Trojan prince Hector at the hands of Achilles, as shown on the other side of this vase. According to tradition, the anxious mothers rushed to Zeus, who weighed the destinies of the pair in his balance and found that Memnon's weighed the heavier. Behind each hero stands his mother - the sea-nymph Thetis behind Achilles, Eos behind Memnon. Achilles attacks from the left (as victors generally do in Greek art) and Memnon falters before his onslaught. On one side Achilles fights the Ethiopian king Memnon, brother of Priam, king of Troy and son of Eos, goddess of the dawn.
The uninterrupted, glossy black surface of the body emphasizes its perfect contours, while the lighter clay ground of the curled volute handles and the immaculately painted double lotus and palmette chain draw the eye upwards to the figure scenes.
This has the advantage of providing a limited and almost straight-walled field on which the painter can work. The figure scenes on this volute-krater are confined to a narrow, frieze-like band that encircles the lower element of the neck.
0 kommentar(er)
